That said, for a 1.0 product, it’s incredibly proficient for what it is. However, you can open Premiere Rush CC files in Premiere Pro CC, which means pro users can start a project in Rush and fine-tune it later in Premiere Pro. There are only three transitions to choose from, there’s no key-framing for edits and effects, and overall, it’d be nice to see a few more options and capabilities throughout the editing and settings modules. This made it easy to keep the focus on editing, with the confidence that the content would be accessible on other devices should we choose to edit elsewhere.Īs for the available editing tools, Adobe provides almost everything you could ask for in a consumer-centric app: multi-timeline video and audio editing, title screens, transitions, presets, basic color adjustment tools, audio processing, and transform tools.Īs to be expected for a consumer app, none of the controls offer the fine-tuned adjustments you’d find in Adobe’s professional Premiere Pro CC app. Once content is imported into Adobe Premiere Rush CC, you can start editing while it seamlessly syncs in the background to your Creative Cloud account. Importing went quick on both an iPhone XS and first-generation iPad Pro, even with large 4K video files. Content can be added from local storage, such as on your computer’s hard drive or an external hard drive, as well as from cloud services, including Adobe’s Creative Cloud and Apple’s iCloud Drive. Importing media - videos, photos, and audio - is as simple as selecting it from the provided media browser. Once familiarized with the app, it’s just a matter of getting content into a project to edit. If you get the gist of it though, there is an easy out to skip the intro. Using stock footage and onscreen prompts, Adobe walks through the process of creating a project, importing footage, editing footage, and sharing.Įven if you’re familiar with Adobe’s other Creative Clouds app, the onboarding process is a great starting point. Adobe has done a fantastic job creating a means of familiarizing users with the app. The first thing that stuck out with Adobe Premiere Rush CC was its onboarding process. The best video-editing apps for iOS and AndroidĪdobe Premiere Pro is now optimized in beta for Apple M1 Macs It's the first release of Rush, so it can only get better from here on moving forward.Adobe brings real-time editing to Premiere Pro, After Effects If you are spending a lot of time at airports or on flights, this will be a more comfortable way to work instead of getting out the laptop. If you're a stills photographer wanting to document your way of working and the environment you find yourself in using your iPhone, Rush can be useful. Other than that, the interface seems to be moving in the right direction. You have the option to sync via Dropbox or Google Drive, which seems to work much faster. It's super slow and the mobile app shows it has synced when it hasn't, so an indicator showing progress will be a great update I am sure they're working on. I think the syncing with Creative Cloud is an issue. I can't tell you what the differences in frame rates were, but it doesn't look as though it was a problem. It was possible to get the shots off the GoPro directly onto the phone and import it into Rush. We used my iPhone X, the Moment Wide Angle lens, and adapter and the GoPro Hero 7 Black for some hyper-lapses, and had a good time shooting. Adding text, music, and using color profiles to give your video that professional feel is all done on the iPhone and it makes it a pleasure to use. The touch interface on the mobile app is quite intuitive and cutting and moving shots around is easy to do. If you subscribe to the Creative Cloud, you'll get the mobile and desktop app included, and what Adobe tried to achieve here, is the ability to sync what is shot and edited on mobile with the desktop app, and if need be, to export to Premiere Pro for final edits. You can download the mobile app for iOS, and early in 2019, the Android version will be released.
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